Kings and Gods


The Ghanaian Hiphop scene is worked up thanks to a rap Cold War between two of its heavyweights, M.anifest and Sarkodie. Tracks have been released, shots have been fired, sides have been taken, debates rage on over who’s better, the beef has permeated I daresay, the national discourse and Ghanaian illustrators are flexing their design muscles and expressing their opinions and expectations through their work.

Below is a collection of art pieces on the ongoing beef that hit our radar along with links to the songs that fuel this much needed lyrical brouhaha. Paraphrasing Swayye Kidd, this beef is a win for Ghanian hip-hop and in our case, art. Continue reading


Are We Marching Right?


Via Cavemen

Every year, the month of March – when Ghana celebrates independence as a nation – creeps up on us with a lethargic monotony. Rehashed choruses of old pledges, charades of congratulations and the doling out of what one can only hope are well deserved awards to a precious few. The annual parade at Black Star Square and the holiday from work and school stand out as really the only things to look forward to. Watching kids mill about animatedly in preparation for the parade march, I can’t help but wonder why there’s a parade in the first place.

Drills used to train militaries to work together and maintain formation are what give the march a larger-than-life feeling. The march is deployed as a formidable psychological weapon. By moving as one, the marching army creates the illusion of a large, united and impenetrable force of focus. Imagine the fear that’ll seize you upon hearing an echo of booming voices and stomping feet coming at the same time. Continue reading